The Madonna Charli xcx collaboration that fans had been tracking across social media and fashion week party photos has a name and a release date. ‘Danceteria Afterhours’ (a new track produced by longtime Madonna collaborator Stuart Price) will be released Thursday, 24 September, via Warner Records.
According to Billboard, the collaboration was announced on Monday, 21 September, arriving days before Madonna is due to open the MTV Video Music Awards on Sunday. The track takes its cue from ‘Danceteria’, a track on Madonna’s recent Confessions II album, and the announcement positions it as a meeting of two distinct but complementary pop sensibilities, Madonna’s foundational dance music roots alongside Charli xcx’s boundary-pushing approach to the form.
From Paris to the Studio: How the Madonna Charli xcx Collaboration Came Together
The groundwork was laid in Paris. The two artists hosted a CLUB CONFESSIONS party with Saint Laurent during Paris Fashion Week, and what followed was a run of playful exchanges on social media that generated considerable fan excitement. It was, by Charli xcx’s own account, a genuine meeting of minds rather than a manufactured moment.
‘We went to Paris and we just couldn’t stop hanging out with each other,’ Charli told BBC Radio 6 Music in June. ‘And it was fab! She is so interested in really talking about the music that she makes, and how and why, and I found it very inspiring to hang out with her.’
That quality of mutual curiosity, two artists at very different stages of their careers, but evidently energised by each other, is what makes ‘Danceteria Afterhours’ more than a novelty pairing. Stuart Price, who has worked with Madonna across some of the most critically admired periods of her catalogue, shapes the production. His involvement suggests the track is pitched at something more considered than a quick crossover moment.
Madonna at the VMAs and Charli xcx on the Road
The timing of the release places it neatly into a charged week for both artists. Madonna will open Sunday’s MTV Video Music Awards ceremony, her first performance at the show in 23 years. It will be her fifth appearance as a VMA performer, more than any other artist in the awards show’s history, and she leads this year’s field with a career-high 13 nominations. The ‘Danceteria Afterhours’ release lands into that moment with obvious intent: it is a reminder that her instinct for cultural positioning remains intact.
For Charli xcx, the release comes during an active touring stretch. She has played the first three shows on the North American arena leg of her tour supporting Music, Fashion, Film, and was due back onstage in Toronto on the night of the announcement.
‘Danceteria Afterhours’ will also be made available in three limited-edition CD configurations, a detail that sits interestingly alongside the track’s dancefloor ambitions, and which speaks to both artists’ understanding that physical formats carry a different kind of cultural weight for their respective fanbases.
What’s worth holding onto here is the line of continuity the track draws. Danceteria, the New York club that shaped the early years of dance music and hip-hop in the 1980s, is embedded in the title itself, nodding at an origin point for the kind of music Madonna helped carry into the mainstream. Charli xcx, working at pop’s experimental edges from a very different moment, arrives at some of the same instincts from a different direction. Whether the track makes that argument convincingly will be heard when it lands on Thursday, 24 September.
Heart
Haha
Love
Wow
Yay
Sad
Poop
Angry
